Sunday 14 May 2017

Special

The two people above us in 7a were loud. I mean, the guy had a LOUD voice. You could hear him booming through the ceiling, every syllable, every utterance, as he banged on like someone shouting into a bullhorn at a funfair. I mean Wow! Did this guy like to talk! To me, it sounded like he got off on supplying a running commentary on everything, no matter how trivial, a steady flow of words intended to illuminate his every thought. It got so bad that on rare occasions when there was silence, we’d sit there, counting out the seconds before he started up again. 1-2-3-4-5-6…..and off he'd go. Talking, talking, talking. The woman, although she was less talkative, would contribute, filling in the gaps between his diatribes with her squeaky voice. This happened every night and pretty much all weekend.  

The old man who used to live up there, in the apartment above us, never made a peep. I mean we literally never heard him. Not sneeze. Not even the occasional scrape of a chair being dragged across the floor. Nothing. So we had no idea about his life. Sure, we ran into him in the corridor from time-to-time and said ‘hello’ but that was about it. He kept to himself. Had a really quiet life. Then he moved out or maybe he died? I'm not too clear on what happened there. Anyway, once he was gone, these two big mouths moved in. 

I don’t know what was so damn interesting about their lives that they needed to blather away so much. Some people just like to talk. My brother is a talker. He will go on and on forever. I once said to him, Jed, do you think there is a thing such as too much explaining? He said, what do you mean? And I said, dude, you have some very interesting things to say but what I’m suggesting here is that…maybe all your good ideas are getting lost in the….(I wanted to say 'bullshit' but I didn’t)….explaining. Didn’t a famous philosopher once say, the quite man keeps his tongue while everyone in the room is busy losing theirs? Something like that. 

Anyway, my brother Jed looked at me kind of funny when I said this and then he goes, it's called conversation dickhead. And I said, hey sugar tits I’m just telling you this for your own good. I am just trying to educate you here with some advice. Understand?  

Oh man, that wasn’t what you'd call a 'pleasant evening'. Not at all. Jed didn't speak to me for a couple of weeks after that because he was having a sulk. Or maybe it was me? I can’t remember all the details.  

Anyway, from the very first night they appeared, the people up in 7a would blather on and on. Yap, yap, yap.....And you have to understand, they lived right on top of us so it wasn't just the talking. No. They were LOUD in every other way. We could hear them doing everything: eating their cornflakes, brushing their teeth, walking from room-to-room, slamming doors shut, opening and closing cupboards every two minutes, turning on taps, flushing the toilet, watching the telly, screwing….their sex life alone was.....well, it sounded like a pair of walruses fighting over a fish. And aside from the escalating cries and grunts, there was also the headboard thumping out a steady rhythm against the wall. Thump, thump, thump. To have such an intimate understanding of someone’s sex life was a little disturbing, to say the least. (And I’ll admit it, they made me feel a bit lazy like maybe Izzy and I were slacking off a bit in the old boudoir lov'n department. As a result, I bought some novelty items from a shop on Oxford Street and this costume Izzy wanted me to wear during our intimate times. I don't know. In short, we tried some of this fantasy stuff which came out in our annual 'relationship performance review'. Man, I do not like the annual RPR but Izzy insists).

So were really annoyed with the people up in 7a for a long time. We complained about them and I left an anonymous note pinned to their door in which I said some pretty direct things, let me tell you. Then we discovered they were mentally impaired. Or whatever the expression is. The signs had been right there in front of us the whole time, we just hadn't seen them! Of course, Izzy and I both felt terrible. We’d been making all these judgements and assumptions about this poor couple and we'd been completely wrong. We felt like complete monsters. Here were these two brave people doing their best to live productive lives. They both worked, they paid their bills and they lived independent lives. And we had been so insensitive, so narrow-minded, wrapped up in our problems, we had completely missed the obvious. Of course! They were both one banana short of a smoothly. And this is exactly what living in the city does to you, right? It makes you selfish. It makes you into an insensitive person.  

Anyway, we felt like despicable human beings. So after that, we went out of our way to be nice to the couple in 7a. Instead of snubbing them, as we had in the past when we ran into them in the entrance way or in the laundry area, we always made sure to say HELLO. HOW ARE YOUR TODAY? THE WEATHER IS VERY NICE, ISN’T IT? or DO YOU HAVE ANY SPECIAL PLANS FOR THE WEEKEND?I JUST HEARD THEY OPENED A NEW THAI RESTAURANT AROUND THE CORNER. IT IS SUPPOSED TO BE VERY GOOD. Just normal conversations like that. Because they were no different to anyone else. 

And yes, after awhile it became apparent that we were over-compensating a bit with all the shouting, that we needed to tone it down a bit. After all, they were mentally impaired, not deaf for god-sakes. Anyway, Izzy and I were determined to help these people out. We took their laundry off the line when it looked like rain. We signed for their packages and registered mail when they were out. We held the door open when they came in loaded down with groceries. Basically, everything a good neighbour could and should do….that's exactly what we did. 

In hindsight, I can see how this compassion overload and neighbourly concern might have freaked them out a bit. What I'm saying is it caused a bit of tension, you know, especially the way our attitude towards them had suddenly done a complete turnaround. It must have felt a little bit like we were stalking them or something. It got to the point where they started trying to avoid us. But no. No way! We were like, sorry folks, we have to make this up to you. We have been monsters and we need to make amends. So, like it or not, from now on we are going to be model neighbours. We are going to help you and improve your lives whether you like it or not. We have messed up our own karma through ignorance and now it is time to correct the imbalance. 

One time, I saw the guy from 7a coming out of our local gym. So what did I do? I joined the same gym! I had this plan that we could work out together, right? We could spot each other lifting weights. I saw myself eventually becoming a kind of mentor for this guy. A life coach or something. It couldn't have been easy for him dealing with the prejudices of the world. Anyway, he was on the cross-trainer one afternoon, reflected nine times over in all those surrounding mirrors, slogging his guts out and I walked up to him, like whoa! Dude! What a coincidence! Look who it is! My neighbour! Isn't this a surprise! And I started telling him how brave he and his girlfriend were for overcoming the obstacles life had thrown in their path. How Lizzy and I had the greatest respect for people like them. And he was looking at me with that slightly confused expression his type usually wore. Like he was just a few seconds behind with the old comprehension of what was happening. I told him if there was ANYTHING he and his girlfriend needed, anything at all, all they need to do was knock on our door and we’d help them out. Rain or shine. Now whether he was shy or embarrassed by what I was saying, I don't know. The point is he made a quick retreat from that situation, muttering that he was grateful but it wasn't at all necessary. And when he was gone, it occurred to me that I’d been a complete boob. Again! God, I had so much to learn from these people. They were obviously proud. They didn't want undue attention drawn to their plight. They wanted....no, they deserved anonymity just like anyone else. 'Special treatment' was simply not a part of their language.  

I think Izzy and I may have crossed the line when we left the bottle of wine with the card at their front door. A nice gesture but maybe too much. Billy down at the bottle shop assured me this was a very nice drop for the ten bucks I spent. I don't know anything about wine. I mean, I know it comes from grapes. I know you sniff it before you drink it, but that's it. We didn’t even know if people like them were allowed to have alcohol but we decided to give it a try. The bottle and the card were returned, plonked on our front door the following day. The card was opened but the bottle was still sealed thank you very much. The message was pretty darn clear: we are fine without your help. Please back off. As to the contents of the card? Well, Izzy is good with words so she was the one who explained our misunderstanding with their mental conditions. Just to get it all out in the open.   

The real kicker came a few nights later. Izzy happened to be standing at our front door, listening. My Izzy has very good hearing and she liked to know what was going on in the building. This is one of the reasons I married her. Her civic mindedness. Anyway, they were both returning from work, climbing the stairs with their wet umbrellas and their groceries. My Izzy heard them talking out there on the landing. They had the nerve to describe us as ‘Those two idiots who live in 5b". Can you believe that? It made me….mad. Furious I mean we are good people. Caring people. And this was what we got in return? Well, it just goes to show you…you can try to help someone but you never know, do you? Sometimes your best inflexions just don’t make the grade. 

Anyway, we backed off after that, let me tell you. I ran into Mrs Fletcher a few days later. And according to Mrs Fletcher, the couple in 7a were “normal”. Normal! Well, you could have fooled me, I snorted. Mrs fletched gave me a funny look as I said this. 
There should be some kind of law against misrepresenting yourself like that, I continued, working myself up into a state. 
Mrs Fletcher goes, like what? 
Like they did, I said. The couple up in 7a. It’s as plain as the nose on your face. 
And she goes, are you absolutely sure they 'misrepresented' themselves Kevin? I mean why would they do something that? 
And I said, have you been listening to what I just said? Have you??
Mrs Fletcher smiled very sweetly and said, Kevin. I have been listening to you. I think it's great how you and Izzy are always so concerned with the well-being of your neighbours. Especially people in this building. I think this is a very admirable quality. I really do.... 

I nodded. I always liked hearing Mrs fletcher's opinions about these kinds of things. She was retired kindergarten teacher. She worked for like forty years in the same school. Imagine that? All those kids coming through and growing up! She must have known half of the people in Sydney! She once told me that she remembers each and every little face, that she has a...what do you call it....photogenic memory. The clever ones, the not-so-clever ones, the good ones, the bad ones, the strange ones and the "special" ones. 
Anyway, she was talking away about how special Izzy and I were. To her. And I must have zoned out or something because then Mrs Fletcher kind of barked out my name the way you do when you want to snap a daydreamer back into the here and now. Like, WAKE UP SLEEPYHEAD! 
Look, Kevin, she continued, I would suggest that you and Izzy stop worrying about those people. To me, it sounds very much like, somewhere along the line, you both got the wrong idea about those people 7a? Do you think that a possibility? 
I shrugged. Maybe she was right. I still wasn't convinced. 
If I were you, said Mrs Fletcher, I would just leave them alone for the time being. I really do think that would be for the best. There's a good boy. 

Tuesday 9 May 2017

1000 word puzzle





There were six of us, the overlapping dynamics of our relationships ranging from friendship to the newly romantic to comfortable inertia. Six people (three couples) who arrived in two motor vehicles from Sydney which was just under 100 kilometres to the North. We found a single key under the pot plant on the back deck. 

The central metaphor for this long weekend and quite possibly our lives turned out to be a 1000 piece jigsaw puzzle someone found in a draw with some other old games. According to the image on the box, the puzzle was of Sydney Harbour. We gravitated towards the dining table that night, for the purposes of drinking wine and vodka, while we talked and began sifting through the mini landfill of puzzle pieces which had been dumped out on the table as a joke. But later, the moment came when, one by one, we had to acknowledge the fact that we'd all become inexplicably obsessed with the completion this puzzle. 

If this were a novel or a collection of interconnected short stories about us, about our weekend and lives, the house and the beach would make for a good Australian setting, someone concluded, as our hands moved the pieces across the varnished table top. 

At night, the windows of this rented beach house turned black and the crashing surf produced a continual roar of white noise. During the day colourful hang gliders were visible above the headland, corkscrewing slowly down on thermals to land on the beach. The house itself was situated in a shaded gully bursting with spiky subtropical plants. The road led down to the beach and in the other direction, to the shops up on the main highway. Cans of fizzy drink, pies, dream-catchers and lumpy pottery objects produced by a local artist could be purchased here from 9 until 4. We’d brought our own supplies down from the city. We had overstocked the house with grog and food. 

At night, when not consumed with the puzzle, we watched reality TV and tried to play 'Crimes Against Humanity'. We watched a show in which people bought cramped but expensive homes in the British countryside. Real people who changed into television characters. These TV couples craved the kind of light and space us city dwellers could only dream about. Or rent for the odd weekend here and there. For me, balancing out this fantasy of leaving the big smoke behind was the fear that the country might be stupefyingly dull. Four days was one thing...but for the rest of your life?  

We drank, ate and swam. We swam in the rock pools. The plunge into the cold salt water felt like electricity licking your skin head to toe. The sudden immersion made your heart shiver violently inside your chest. To get back to the carpark, we had to traverse rocks and sand. Small creatures turned like soft gears in the tidal pools between these rocks. The land was in pieces, being broken apart, a geological puzzle, right down to the granular level. These tiny pieces ended up back in the rental house collecting near the drain at the end of our hot showers. 

We read fashion magazines and books. We looked at our stupid phones. We cooked meals. But mainly it was about the puzzle. About pattern recognition. About sorting and organising the pieces of one's life into some kind of recognisable order. The collective assembly of corresponding shapes and edge pieces. People trading stories as they tried to work out the tacky big picture. 

We joked about how wild we were, with our reduced calorie intake and our metered out drinks. Every top up was carefully itemised and translated into the seedy language of the following day's hangover. We tried to adjust severity through hydration. We joked about our exciting holiday puzzle. Crazy right? 

People came and went. Friends with their kids. A teenage brother and sister who looked down at the puzzle taking shape on the dining table and smiled politely at our misplaced enthusiasm. 

The image of the Harbour Bridge, of Luna Park and of the apartments clustering the North Shore had taken shape by that point. The clouds and the rippled harbour waters were proving to be far more difficult. A ferry occupied a single puzzle piece but resisted being fitted into its proper position. 

We talked about our relationships as we worked. Past and present. About the interlock dynamics of males and females working together, trying to make a combined life. Minor tensions mounted and abated. People checked their messages and talked about how grateful they were to escape the evil rat race. A fat possum appeared on the deck looking for handouts. 

On Sunday, the puzzle was nearing completion. The sky was still proving to be a challenge. All that flat, ozone depleted New South Wales blue just wouldn't cooperate and come together. To the left of the Bridge, you could make out the Opera House like a pile of sharp bones. We talked about the missing pieces of our lives. The jobs we wanted. The pipe dreams we'd abandoned. The unfulfilled creative pursuits. The places we still wanted to see. The missing children. The houses we wanted to build. The doors that were already shut.  

On the final morning, we had to clean the place up and repack our bags. The puzzle was complete minus one fucking piece which some of us looked for, flipping the lounge cushions over, getting down on our hands and knees, peeling back the rug, opening the vacuum bag before finally giving up. Even though we joked about it, the sense of disappointment was surprisingly real. There was a hole up in the sky, floating up above the Bridge. The metaphor had extended itself in an unforeseen way. The picture would remain incomplete. And maybe that was the point all along. The lesson we needed to learn. 

We packed the luggage into the car. As instructed, the key was returned to the same spot under the pot plant.

Sunday 7 May 2017

The Rolling Stones-Exile On Main Street (1972) May

Any review of this album will describe it as a hugely influential record and use words such as 'seminal' and 'gritty'. When I first came across it (in cassette form) I was living as a student in London and during that time I had it pumping out of my Sony Walkman earphones probably a bit too loud, as I walked around the college campus and streets. The album offered what I craved at that time: an escaped from the perpetually grey skies overhead and pebble-dashed houses of North London. A warmth, energy and otherness you just couldn't find in England. As a complete package, the music combined with the album cover artwork and the stories of hedonism surrounding the production of the album (derived from articles in NME and Rolling Stone magazine over the years), it made for a pretty intriguing piece of commercial art. Listening to the songs, you immediately got the impression that the album was an unstable thing, teething on the edge of collapse. If this had happened, if the songs turned into a wall of mush, it would have confirmed the suspicion that if you lock a bunch of preening, drug-addled rock stars into a studio, telling them to have at it, indulge every creative whim no matter how ridiculous, you would almost certainly end up with a big pile of musical dung. Not in this case. Despite all the pitfalls of Rock and Roll excess, the Stones managed to pull it off. On the first listen, right away you notice, if you familiar with the Rolling Stones catalogue, the lack of identifiable radio-friendly hits (apart from 'Tumbling Dice'). You may also notice that the lyrics delve head first into dark areas: sex and drugs and the internal mechanics of a band who had, at that time, turned outlaw, deciding to run away from their record company and taxation masters back in the UK. Or so the legend goes. Whatever the case, the Stones were on the verge of changing into a monster. A touring industry. They were moving towards a series of endless one night stands with thousands of fans in concrete stadiums across the globe. One night stands that would carry them through the 70's and 80's. And the 90's. And the noughties. And into this decade. Five granddads who still, to this day like to rock out with their......well, you know the rest of that line. The point is before they became Rock and Roll pensioners, they were the real deal. As such, they were able to knock out Exile on Main Street.

The album cover (even in tiny print on the cassette case booklet) further indicated the complexity of the album's seeming haphazard assemblage. There was (is) a collage of black and white images. Freakshow performers, vaudeville people, bellydancers and the Stones themselves. Like the music, it felt rough and slapped together. A motley crew of images, songs and performers. You could see the edges of these images, complete with film stock numbers and the sprocket holes of the Kodak negatives. It looked and sounded like it had been put together in a slap-dash way. And what was up with the weird references of colonialism? The images of Indians and the African guy with three oranges stuck in his mouth? It could be nothing. Many rock stars trade in ambiguity and weird juxtapositions. Throw some random lyrics together, some garbage poetry, then work out some music to accompany these words. Then let the fans provide the meaning.

Anyway, the songs start and stop but the general mood of the album perpetuates. Decadence. Boredom. Hanging out at Keith Richard's chateau in the south of France. Anger and the possibility of violence. Time slipping away. Youth buried in the slow or fast accumulation of years. Love. Sex. The hollow trappings of being a spoilt rock star.  The patchwork quilt quality of the music was a result of the inclusion of the Blues, Gospel, Rock and Roll, Country and Western (among other influences) performed by a group of gaunt English musicians. Because of the inclusion of extra instruments and guest musicians, Exile on Main Street covers a lot of musical territory over the course of its 18 songs and is a full sounding, layered record. Full and rich but also fuzzed out, echoing through empty spaces, fading in and out, morphing from song to song. Coherent while simultaneously coming apart at the seams, blurring at the edges. At once bleak, perhaps escaping the bummer last years of the 1960's while offering some sort of spiritual hope in the form of Shine a Light & Soul Survivor, hope that the 1970's would hold more promise. Anyway listening to this, in London at that time, I was able to define my position according to one of the life's most telling classifications. Ie. What kind of Rock and Roll fan are you? A Beetles or a Stones fan? Both have clearly defined attributes and qualities. I'd have to go with the Stones myself. 

Thursday 4 May 2017

Thin skin

....anyway, those boys, led by master 'Swiftly'....so they would come in and basically take control of the bar. And this would happen every day, as regular as clockwork, at around 4:45. You'd hear them coming down the street, in high spirits, shouting at each other. It made you stop and wonder why four flash salesmen like these guys were, in their expensive suits and designer sunglasses....why they would have any interest in our place, eh? You know...our bar has always been a very quiet place. Aside from the clientele, little clues of human inertia are evident everywhere: a piece of last year's Christmas tinsel still dangling cheerlessly over the bar, dead flies collecting in hard to reach places and the taste of stale air recycled back through the AC unit. We are talking about zero atmospheres. I had no idea why those boys came in every day.

Actually, that's not entirely true. There were several obvious reasons, ya? It was right around the corner from their office building and the manager of the pub, Derrick, would put up with their bullshit because they spent money. And I mean, a lot of money, you know? Princess, the girl who worked behind the bar during the week, she was a pushover as far as those hooligans were concerned. What did you expect? She was one of these young girls with a bubble for a brain. Swifty had her wrapped around his little finger. You know how the young girls are these days? With their cell phones and their need for validation.

Anyway, these guys, Swiftly and his mob, they'd come in shouting and shoving each other around, carrying on like school boys. And they would instantly change the atmosphere of the place. Us regulars, we would just keep our heads down and do our best to ignore the dickhead comments about the bar being an old age pensioner home. 'God's waiting room' was an expression they kicked around quite a bit, saying we were a bunch of 'old soft cocks', you know? 'Drooling old jokes'. Those boys had fucking endless smart-ass comments about our half strength beers, our prescription reading glasses and our chicken shit two dollar bets lining the bar. I'd just smile and think to myself, wait until it happens to you sunshine. If you live that long, eh?

Listen, I had two teenage boys, ya? So I know. Just like my Angus, these guys were constantly testing our boundaries, seeing how much they could get away with, you know? So the only way to deal with them was to not to play their game, ya? Simple. Ignore them. And I know Swifty. I mean, I have met men like him before. His type. Swiftly is the kind who will push the joke to the very limit, ya? He is the classic sadist hiding in the guise of a joker. If you can read people, like I can, you'd pick up on this the moment you met him. He was very charming and intelligent but he had the curling smile of a sadist. He was alert to human weakness like a shark can smell a drop of blood in the ocean. Swifty would lead you in one direction, getting you all upset and bent out of shape, and then he would switch gears, you know? He would say, 'Just joking mate' and 'What's the matter with you? Eh? You can't take a joke?' So he will put it back in you, as if you were the sensitive, and therefore weaker party. As if you couldn't take a little bit of teasing.

Like I say, these boys didn't bother with me. No. You know I am from South Africa. After Apartheid ended my farm was robbed twice. At gun point. So this level of intimidation? This schoolyard stuff...it doesn't bother me. I just don't rate it is something worth getting upset about. It's all comes down to perspective, eh? Because there is something very important you have to keep in mind: these guys, these local guys, they grew up in this big, empty, sprawling state, ya? So what I am saying is, nothing has really happened here apart from a gold rush followed by the mining boom. Sudden spurts of economic growth. Transient population. A few local celebrity millionaires made good. Otherwise, it's track housing stretched to the horizon, empty streets and parks. Shopping centres. They don't know what intimidation and violence are really like apart from what they see on the telly, eh? For them, it's all schoolyard bully stuff. Playing war. And you know what amazes me? I mean, I understand why but it has to be this way but...instead of being thankful, of appreciating that you have this relatively peaceful history, these guys have something to prove, ya? There is a big chip on their shoulders. And like I say, I get it, you know? Young men who are untested feel like they're living a half a life. It's just human nature. Or at least for males. Why do you think little boys run around with guns, shooting each other?

Anyway, these guys never bothered me. All you have to do it ignore it. The problem is exasperated when you to react to them. This is what the bully wants from his victim, eh? A reaction. Plain and simple. And they got under Grant's skin alright. That much was obvious from the start. When they realised that me and Sven weren't going to take the bait, they focused pretty much exclusively on Grant. They'd wind him up every single day. It was sport for them. It was fun. It started with little digs, you know? Little comments and jabs. Nothing too serious. But then it got worse. Much worse.  

And Grant was....well....Grant was Grant, eh? We all knew Grant was a bit special. A bit of a sad and lonely guy. There was something not right with the poor bugger upstairs, ya? He wasn't playing with a full deck of cards. It was very subtle but the longer you knew him, the more you'd notice it. I would describe this psychological flaw as an emotional disconnect. A dead spot in his personality. Basically, he had trouble communicating his feelings and relating to other people, eh? He was a state licenced investigator-security consultant. Or at least that's what his business card proudly proclaimed. What he really did wasn't exactly like a James Bond movie. Or, what was that old TV show? Magnum PI? No red Ferraris, no beautiful babes. Grant just sat around, watching people scamming the government. He would collect information for caseworkers to use as evidence. He filmed these people, these scammers, in shopping centres and on the street. He had little cameras. Tiny little cameras that he would conceal in his clothing and in a gym bag. Grant was very good at blending in. He was like a chameleon. Just another face in the crowd. He had a pair of dark sunglasses which reflected what was happening behind you, over your shoulder. Gadgets like that, ya? He would show us all this spy stuff that he bought online. He was a real gadget guy. That was the Grant we all knew. The Grant who showed up at the bar every day. In his private life, he would post photos of himself on Facebook, holding a pair of brass knuckles and replica guns. Like that, you know? Action man. Always in the background of these photos, you could see the same sad little one bedroom apartment in Mount Lawley. Brick walls. A kitchenette.

Anyway, adding to his woes, Swifty and his boys would pass the time teasing Grant and he would take the bait. Grant took it all so personally, ya? I'd pull him aside, say to him, 'Grant man...just chill out. Don't worry about it'. I'd say, 'Listen....you're a middle-aged man. Do you really put any value on what these guys are saying? You can't let them get to you. These guys are young and stupid and all they can think to do with their time is come here, into this shitty pub and bother a bunch of old farts like us? Come on man....what does that tell you? Eh? Eh? It tells you these guys are losers, ya?'

Swifty and his boys did things like putting hot sauce in Grant's drink and fucking about with his cell phone. They took the hubcaps off his car and they messed around with his bar stool. Petty shit like that. They fooled about with his precious briefcase which was...well, you need to understand that Grant's briefcase was strickly off-limits. Grant kept all his important things in there. His precious gadgets and his documents. All those kinds of things. So when they fooled around with the briefcase, when they hid it, poured beer on it...Grant got very upset. And as a result, this teasing became a self-perpetuating cycle. The more they wound Grant up, the bigger and more emotional his reactions became, the more the boys were tempted to continue pushing his buttons. It was a way to pass the time. I have found that one sure fire way for the lower man to define and maintain his social standing is to humiliate individuals outside the circle of mateship, ya? This is an easy way maintain rank. Anyway, Swifty just kept pushing and pushing, exploiting all those little cracks in Grant's personality. 

'Swifty'....I've never understood why a fully grown man would perpetuate some ridiculous nickname he picked up as a youth, eh? Why he would drag such a name into his adult life. 'Swifty'. Jesus Christ. It all had something to do with his microscopically brief career as country footie star. Before the ill-fated shoulder injury, we all had to hear about each time he got pissed. His big moment of glory out on the pitch. Of course, there was a long, tiresome story behind why and how he acquired the nickname 'Swifty'. A story which I was forced to overhear many, many times. A story which I always make a point of forgetting.

Grant was a very sensitive guy. That much is clear. He tried to make out like he wasn't....but he was. He was one these guys who will internalise everything, dwell on it, chew on it, until later. And as I said, those boys just kept pushing and pushing, ya? Then, one summer evening Grant snapped big time. He made a huge scene. I think in his mind, Grant thought he was standing up to them like an action movie star might do in a film. But in the end, he just made a fool of himself. Swifty was a big man with a quick wit. Grant was no match. And when words failed, when push came to shove, Grant didn't have the balls to take on Swifty. The reality was, Grant had a heart the size of a pea. So in the end, what should have been the victim standing up to the bully, backfired in Grant's face. A chasm of humiliation opened up under his feet, swallowed him whole. We all saw it. We turned away. In response to that confrontation, Grant's attempt at bravery, instead of showing a little humanity, a little understanding, Swiftly went in for the kill. All pretences asides, he got openly nasty. He backed Grant up against the bar, pinned him with a jabbing finger to the face, called him a little parasite shit, a leech whose main purpose in life was preying off human misfortune. He made out....he characterised Grant as a stooge for the government. A grass. A rat. Lowest of the low. All this kind of business, eh? In that moment Swifty decided to break him. No more messing around. It was a very bad combination. Swiftly had that Aussie larrikin disregard for authority. When he looked at Grant, Swifty didn't see a portly middle-aged man simply trying to enjoy a few beers at the end of another pointless day. No. Grant had come to represent authority in all its ineptitudes. I understand this. Sure. Policy enacted by a prissy little guy with a briefcase. And like I say, it was a natural response for Swifty, ya? Challenging authority. But what Swifty didn't understand was, for Grant, the pub and his snooping surveillance job was basically was his entire life. As I have indicated, Grant had nothing else. He would show up every single day, rain or shine, at five o'clock with his little briefcase. He always drank five light strength beers and then he drove home. Rain or shine. I think that apart from his brother, who lived over in Sydney, we were the only human contact this poor bastard had, eh? I seem to remember there was some talk of a Thai mail order bride but Grant never followed through with that. He wouldn't know what to do with a woman if one dropped on his lap. Even if she was naked and feeling sexy. Anyway, the bar was an integral part of his routine and we were his family. And he derived a great deal of comfort from this familiarity. We would sit there and basically have the same conversation every day, over and over again...'How are you going Grant?'....this and that. Grant would tell us all about the people he was following and we'd say 'So Grant are you close to cracking the big case yet?' And sometimes we would have a bit of a laugh at his expense but it was never anything nasty or mean-spirited, eh? Not like Swifty.  

The final straw came when Swifty wrote on the bathroom wall. He wrote 'The PI is a soft cock'. Right there on the tiles, right above the urinals for everyone to see. This was more than just a simple written slur. This cut deep, eh? Not only had Swifty defaced the bar, Grant's second home, he had also vandalised Grant's professional reputation and character for all to see. In response to this, Grant asked the manager to clean it off. Which he did. Eventually. After much humiliating nagging on Grant's end. And as soon as it was cleaned off? Well....Swifty went right back in there, stood with his cock one hand and his felt tip pen in the other, and he did it again. So it became this war of attrition. The graffiti would get cleaned off. Then it would reappear a few days later. And it went on like this for a quite a while. A cycle. Neither side willing or able to back down.

It was just a normal afternoon, the horses being lined up in Melbourne on the feed. Princess was standing behind the bar, hypnotised by her cell phone. The regulars were in their usual spots. Sven had just come back from the toilets, drying his hands on his suit pants, his eyes fixed on the screen as the track stewards corralled the horse into the starting gates. We had our betting tickets lined up on the beer mat. Between races, I was flicking through the newspaper. I remember looking at some holiday specials for South East Asia packages. They seemed very cheap. Swifty and his mates were already there, leaning up against the bar, drinking and carrying on as usual. Swifty had his sunglasses propped up on his head and I think he was telling the boys a story about some girl he'd messed around with the previous evening. Anyway, his voice had the lurid tones he reserved for this kind of story. And I wasn't listening.

There was some sort of confusion by the front entrance which is not visible from where I sit. There was a jarring sound. Initially, I thought it came from the TV mounted over the bar. It sounded like a heavy book being dropped on a hardwood floor. A flat, sudden sound interrupting the ambient noise to which we were all contributing. One of the boys standing next to Swifty jerked backwards and then dropped like a trap door had opened beneath his feet. I thought it was just more of their messing about, ya? They were always tackling each other, bringing each other to the ground. Or maybe he tripped on something? I couldn't tell. Anyway, suddenly they were all shouting. And not the usual silly buggers type of larking around either. No. I mean fearful, chaotic shouting. The other boys, they bolted around the bar and then I saw Grant walk into view with a rifle in his hands.

In the security footage, you can see him enter on the left side of the screen just above the timecode. This is the camera positioned over the TAB machine. It's a grainy, black and white image. The boy Grant shot is lying on the ground, face down and not moving. Grant doesn't waste any more time with him. He raises his rifle, points it at one of the other boys who is fleeing across the bar room floor. Then you see a silent puff of smoke issued from the muzzle and the kick of the rifle against Grant's shoulder, sending a visible shock through his body.

This police say Grant got this rifle from his uncle's farm. It had been maintained and correctly stored for a very long time, apparently waiting for this very afternoon. His uncle had ignored the amnesty, ya? Back when in the Johnny Howard days, after that business at Port Arthur. The uncle kept the gun in his shed. In a storage locker. It was a .243 bolt action rifle. Grant had often fired it as a boy out in the bush. Tree stumps and kangaroos. Grant's second shot hit the next boy in the back as he was trying to get through the exit into the beer garden. The bullet went right between this boy's shoulder blades, made a mess of his suit. By this time, living up to his nickname Swiftly had made it to the men's toilets.

Grant stopped and looked at us. Sven and I were just sitting there in a state of shock, trying to process what was happening. You know how they say time becomes a viscous, slow substance when you are under this kind of duress? When someone is waving a gun in your face? Well, it's true. I mean, I saw motes of dust suspended in a beam of afternoon sunlight which was falling across the bottles lined up on the back wall of the bar. My heart stopped in my chest. Time behaves very differently in these circumstances. Every moment cracks open to reveal a concealed eternity within. Also, from this point on, it was very clear what was going to happen. It was a junction. I was going to come out of this either alive or dead. Very simple, eh? Black or white. And I could have tried to run or tried to reason with Grant but I don't remember moving of saying anything. I just sat there, my hands on the bar, waiting for the outcome. Grant looked at me for a moment, weighing me up, trying to determine if, in this final judgement, if I was a friend or foe. One door leads to more life. More time. The other one is an exit. And you know, in that moment, the muzzle of the rifle swinging my way, I was thinking back, taking stock. Technically speaking, I was always on Grant's side but were there not a few nagging incidents? When the boys were taunting him and a smile may possibly have crept across my face? A slight ghost of a smile that Grant may have caught in the corner of his eye? Showing that I was capable of deriving some entertainment from his suffering? His torture.

But then the moment passed and Grant moved on, clicking back into hunting mode. There would be no bullet for me. Princess was just standing there, in the doorway leading into the cooler room, her mouth open and her eyes wide. Grant took aim at her chest but then changed his mind. They say he only had a handful of bullets. I'll tell you, that look in his eyes, it was frightening. And not only his eyes. It was almost like his entire face had changed in a number of very subtle ways. It was like looking at someone for the first time. Trying to read their intentions yet failing to do so.

Grant moved around the bar, heading across the dance floor, threading between the tables in front of the little stage, towards the men's toilet. He was after Swiftly. As soon as he went in through the door, the gun muzzle probing ahead into the tiled gloom of the men's, we all got the hell out of there. Princess was frozen on the spot, muttering something about the cash register so I had to run around the bar, grabbed her and dragged her out. We had to leave the wounded boy behind. There was no telling how long Grant would be in the toilet. Sven was propping open the front door. We left everything behind: all our money, smokes, our drinks. We ran across the parking lot, up the main street and into the little park near Lemon street. Luckily Princess had her mobile so we called the cops. After ten minutes we began to hear overlapping sirens in the distance, the sound climbing up out of the surrounding silence.  

They found Swifty dead in the men's toilet. They went in dressed in jumpsuits and paper booties. From the physical evidence, they easily ascertained that Swifty had tried to escape through the little window above one of the toilet stalls. This was a futile attempt. The wire mesh had been far too strong for him to break through and as a result, he'd only succeeded in bloodying his hands as he tried to punch his way out. It wouldn't have mattered anyway. He would have been too big to climb through the opening. He would have been better off trying to tackle Grant. At least then he would have stood a chance. People do funny things when faced with mortal danger. Sometimes the tough guy goes meek and the meek guy turns into the hero. You can never tell. As it was, Grant put three bullets in Swifty. One in the back, one in the head and one through his side. They found Swifty in the middle stall, crumpled up around the bog, his brains on the tile.

According to the police timeline, there then followed a bit of a stand-off with the cops surrounding the place. During that time Grant finished off the salesman he had previously wounded. That boy had attempted to crawl out the front door but only made it to the betting station. In all likelihood, he wouldn't have survived anyway. He left far too much blood behind, a large swath of vital fluid which he painted across the wooden floor, marking his slow but ultimately pointless attempt. The other one, the boy Grant had shot trying to get out through the beer garden exit was already dead. The fourth one, Mick, was hiding in the cooler room, behind a stack of kegs, shaking with cold and fear. He was jammed in a very small space. Wisely he didn't move until the cops cleared the place out. Grant assumed incorrectly that he had escaped.

After all the killing, the security footage shows Grant sitting for a time at the empty bar, seemingly lost in his own thoughts, the rifle within easy reach. Then, like a rugby team brandishing handguns, the police came barreling in through the front door and pinned him to the floor. This was the beginning of Grant's long journey through the legal and medical system, the slow digestion of the man Grant had once been through the intestinal tract of a bureaucratic creature. A journey partially reported on with typical blood lust by the local press. A journey which would eventually land him for the remainder of his Thorazine drooling days in the Graylands psychiatric hospital.

A week later we were all back in the bar, sitting in our usual spots like nothing had happened. We drank our drinks and we put our bets down, waiting for the gates to spring open, releasing the horses and the dogs. They cleaned up the blood. Princess came back to work, talked badly of Grant. I didn't participate in any of this. The poor girl has a breakdown some days later, just couldn't function with the memory of what happened. This was completely understandable. She went off to seek some professional help.

As I say, the papers made a meal out of the whole thing. There were photos of Grant in his suit being led out of the courthouse, his hands in cuffs. His face looked blank. Resigned. This was not the Grant we knew from before. They twisted his character to fit into their narrative. I made some altruistic plans to go visit him up there in the nuthouse but I never followed through. This always bothered me.  Alcohol made us brothers but that bond was only maintained when it was convenient to do so. And really, it didn't extend beyond the pub's front door. While I pissing that beer away, standing with my nose up against the tiles in the toilet, I could still faintly make out Swiftly's graffiti on the wall. In those moments of quiet reflection, I was tempted to change the course of my life, to pry my ass off that bloody bar stool and walk out the front door. I could have picked the phone and visited my son. I could have done a lot of things. There was still time. But then I remembered something very important. I had just put some bets down. There was a trifecta I had a very good feeling about. So I came back from the toilets and took my place next to Sven. And up on the telly, the gates sprung open in Sydney and the horses were released.